I contacted the extremely helpful folks at The Hamilton Mausoleum the next day and got things rolling. I wasn't sure if I could hire an iconic building like this, but I did and it didn't break the bank either. Even before there day of the hire, Steven and I would meet outside the Mausoleum and shoot all the external scenes that feature in the film. It was winter and frosty outside. We froze our asses of during these shoots, but it was Tommy who suffered the most for our art.
On the day of the shoot, the interior of the Mausoleum was colder than it was outside. I was like being in a fridge and Tommy wore a suit and a pair of leather shoes. I also play saxophone, so I can testify that when it's cold, a sax is not an instrument you want to be holding! Tommy's feet and hands must have been extremely painful for the two hours we kept him there, but he's a pro and didn't complain once.
EDITING THE FILM
Editing proved to be a difficult job. Unlike a regular video edit where you cut to a piece of music used in the background, Tommy played live, so what you see and what you here are from the same shoot. Editing to live music is filled with many problems. But I think Steven and I pulled it off and we're both happy with the results. But the most important people I hope are pleased with the film are of course Fuji and Tommy. Steven and I set out to make something a little different from the average promo film. We think we have, but the viewers will decide.